The Queen is dead. Is it now time for an Indigenous woman to take her place on the $20 bill?
The Native Women’s Association of Canada (NWAC) is asking that question through its new art exhibition, “Change the Bill.” The concept for the exhibition began following the Queen’s death, as the decision of changing the figure on the back of the Canadian dollar loomed near, Irene Goodwin, NWAC's director of policy and programs, culture and art, told Canada’s National Observer.
An Indigenous woman has never been represented on a Canadian banknote, Goodwin explained.
The exhibition, which runs from Jan. 20 to 28 at The Local Gallery in Toronto, is a call to action to promote reconciliation through art, according to an NWAC press release. Art pieces are also available to be viewed and purchased online, with all proceeds going to the artists.
The exhibition is on display as part of Design TO’s 2023 festival. NWAC also enlisted TAXI, a leading brand experience agency, to emphasize underrepresented and marginalized Indigenous women in Canadian society, the press release added.
Each piece in the exhibition is a different artist’s reimagination of the $20 bill in both its background design and historical figure. Each artist decided which woman they wanted on their bill as well, Goodwin said.
The Native Women's Association of Canada's "Change the Bill" campaign wants Canadians to acknowledge the significance of Indigenous women throughout history. It's a form of reconciliation through art, NWAC said. #Reconciliation
“If the $20 bill was to be reimagined, it would be to highlight the significant contributions of Indigenous women to the development of Canada, as well as highlight the Indigenous artists that we have,” Goodwin said.
NWAC reached out to several artists towards the end of 2022, a quick turnaround for the art exhibition, and Goodwin says artist contributions continue to roll in. For the exhibition, each artist was asked to celebrate an Indigenous hero without any parameters, Goodwin said.
Some artists chose historical figures like Pictou. Another artist, Mando Littlechild, chose her Kokum (grandmother) who was a residential school survivor, which is “an important story” to tell, Goodwin said.
Goodwin thinks the exhibition isn’t merely about putting an Indigenous woman on the banknote as an end in itself; instead, it’s a celebration and recognition of the significance of the contributions of Indigenous women.
It’s an act of reconciliation to promote both the women on the banknotes and the artists who composed them, Goodwin explained.
“Educating future generations about the contributions of Indigenous women and fostering a deeper understanding and appreciation of their significance creates a more just and equitable society for all Canadians,” Lynne Groulx, CEO of NWAC, said in the press release.
Matteo Cimellaro / Canada’s National Observer / Local Journalism Initiative